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    <loc>https://www.dirtdmv.com/writing</loc>
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    <lastmod>2023-07-19</lastmod>
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  <url>
    <loc>https://www.dirtdmv.com/writing/2023/7/19/on-for-the-sake-of-dancing-in-the-street</loc>
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    <priority>0.5</priority>
    <lastmod>2023-07-27</lastmod>
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      <image:title>WRITING - On for the sake of dancing in the street - Make it stand out</image:title>
      <image:caption>Image by Tracy Nyguyen</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d1c17020099ed2651b04cc/314b6ab6-10a9-48db-a683-400fb45ec5aa/04388276-3247-465C-A4E0-68110F52690A_1_102_o.jpeg</image:loc>
      <image:title>WRITING - On for the sake of dancing in the street - Make it stand out</image:title>
      <image:caption>Image courtesy of the author</image:caption>
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  <url>
    <loc>https://www.dirtdmv.com/writing/2021/12/6/entanglement-diasporicbody</loc>
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    <priority>0.5</priority>
    <lastmod>2023-04-07</lastmod>
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      <image:title>WRITING - Entanglement 009: Mojdeh Rezaeipour, Natalie Amini, Kamyar Arsani, Rex Delafkaran, Bita Ghavami, Nasrin Navab, Anita Poushan, and Anahita Bradberry - Make it stand out</image:title>
      <image:caption>Mojdeh Rezaeipour, Fragments, 2020</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d1c17020099ed2651b04cc/1639011499105-ZZJGDBXR1BUVV83T2822/Screen+Shot+2021-12-08+at+9.22.13+AM.png</image:loc>
      <image:title>WRITING - Entanglement 009: Mojdeh Rezaeipour, Natalie Amini, Kamyar Arsani, Rex Delafkaran, Bita Ghavami, Nasrin Navab, Anita Poushan, and Anahita Bradberry - Make it stand out</image:title>
      <image:caption>Screenshot of this conversation from September 17th, 2021</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d1c17020099ed2651b04cc/1638851005294-6XB7EJ24X2W61TTXJDNA/anita-still.PNG</image:loc>
      <image:title>WRITING - Entanglement 009: Mojdeh Rezaeipour, Natalie Amini, Kamyar Arsani, Rex Delafkaran, Bita Ghavami, Nasrin Navab, Anita Poushan, and Anahita Bradberry - Make it stand out</image:title>
      <image:caption>Video still, Anita Poushan, 2021</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d1c17020099ed2651b04cc/1639012651863-JGICY6L8SKH624YAT6LI/IMG-4174.JPG</image:loc>
      <image:title>WRITING - Entanglement 009: Mojdeh Rezaeipour, Natalie Amini, Kamyar Arsani, Rex Delafkaran, Bita Ghavami, Nasrin Navab, Anita Poushan, and Anahita Bradberry - Make it stand out</image:title>
      <image:caption>Behind the scenes play with Natalie Amini at VisArts.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d1c17020099ed2651b04cc/1639012528999-MWAOFO4MXXT7PI2IT750/zoom1.PNG</image:loc>
      <image:title>WRITING - Entanglement 009: Mojdeh Rezaeipour, Natalie Amini, Kamyar Arsani, Rex Delafkaran, Bita Ghavami, Nasrin Navab, Anita Poushan, and Anahita Bradberry - Make it stand out</image:title>
      <image:caption>The group's first zoom call in June, 2021</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d1c17020099ed2651b04cc/1638850337190-H2POQJ9DBSDHX2K25ZZC/Screen+Shot+2021-12-06+at+8.14.05+PM.PNG</image:loc>
      <image:title>WRITING - Entanglement 009: Mojdeh Rezaeipour, Natalie Amini, Kamyar Arsani, Rex Delafkaran, Bita Ghavami, Nasrin Navab, Anita Poushan, and Anahita Bradberry - Make it stand out</image:title>
      <image:caption>Performance footage from July 29th, courtesy of Igor Dmitry.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d1c17020099ed2651b04cc/1638851396970-SSAYZK4STOL9XYQ0W3T0/image_123986672.JPG</image:loc>
      <image:title>WRITING - Entanglement 009: Mojdeh Rezaeipour, Natalie Amini, Kamyar Arsani, Rex Delafkaran, Bita Ghavami, Nasrin Navab, Anita Poushan, and Anahita Bradberry - Make it stand out</image:title>
      <image:caption>Performance footage from July 29th, courtesy of Igor Dmitry.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d1c17020099ed2651b04cc/1638850750756-LZDONZKAP8NJ312EKA30/Screen+Shot+2021-12-06+at+8.12.17+PM.PNG</image:loc>
      <image:title>WRITING - Entanglement 009: Mojdeh Rezaeipour, Natalie Amini, Kamyar Arsani, Rex Delafkaran, Bita Ghavami, Nasrin Navab, Anita Poushan, and Anahita Bradberry - Make it stand out</image:title>
      <image:caption>Performance footage from July 29th, courtesy of Igor Dmitry.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d1c17020099ed2651b04cc/1638850392538-E077AH6SR1H6ZKMV6WXU/natalie-bita-still.PNG</image:loc>
      <image:title>WRITING - Entanglement 009: Mojdeh Rezaeipour, Natalie Amini, Kamyar Arsani, Rex Delafkaran, Bita Ghavami, Nasrin Navab, Anita Poushan, and Anahita Bradberry - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d1c17020099ed2651b04cc/1638850866547-5ZPYI8DZ8ELGSYQM46OH/Screen+Shot+2021-12-06+at+8.13.20+PM.PNG</image:loc>
      <image:title>WRITING - Entanglement 009: Mojdeh Rezaeipour, Natalie Amini, Kamyar Arsani, Rex Delafkaran, Bita Ghavami, Nasrin Navab, Anita Poushan, and Anahita Bradberry - Make it stand out</image:title>
      <image:caption>Performance footage from July 29th, courtesy of Igor Dmitry.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d1c17020099ed2651b04cc/1638851484044-8MR3IYJQIQATOHFJOUT3/image_123986672+%281%29.JPG</image:loc>
      <image:title>WRITING - Entanglement 009: Mojdeh Rezaeipour, Natalie Amini, Kamyar Arsani, Rex Delafkaran, Bita Ghavami, Nasrin Navab, Anita Poushan, and Anahita Bradberry - Make it stand out</image:title>
      <image:caption>Performance footage from July 29th, courtesy of Igor Dmitry.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d1c17020099ed2651b04cc/1639012739002-SUL3317CII4E8IGO2QZN/Screen+Shot+2021-12-08+at+10.43.30+AM.png</image:loc>
      <image:title>WRITING - Entanglement 009: Mojdeh Rezaeipour, Natalie Amini, Kamyar Arsani, Rex Delafkaran, Bita Ghavami, Nasrin Navab, Anita Poushan, and Anahita Bradberry - Make it stand out</image:title>
      <image:caption>video still, Bita Ghavami, 2021</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d1c17020099ed2651b04cc/1638851886551-H4YC8OOYJ68Z73AIZV3F/groupphoto.JPG</image:loc>
      <image:title>WRITING - Entanglement 009: Mojdeh Rezaeipour, Natalie Amini, Kamyar Arsani, Rex Delafkaran, Bita Ghavami, Nasrin Navab, Anita Poushan, and Anahita Bradberry - Make it stand out</image:title>
      <image:caption>(left to right) Kamyar, Mojdeh, Nasrin, Rex and Bita after the performance on July 29th, 2021</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d1c17020099ed2651b04cc/1639012855306-QRLIGNFKOE1AFF866FJY/image_6487327+%281%29.JPG</image:loc>
      <image:title>WRITING - Entanglement 009: Mojdeh Rezaeipour, Natalie Amini, Kamyar Arsani, Rex Delafkaran, Bita Ghavami, Nasrin Navab, Anita Poushan, and Anahita Bradberry - Make it stand out</image:title>
      <image:caption>Mixed media stills of stop motion sequences (in paper, esfand and pyrography on wood), Mojdeh Rezaeipour, 2021</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d1c17020099ed2651b04cc/1639012902836-MSS5JKYTXZ2JUUZO61PW/image_6487327+%282%29.JPG</image:loc>
      <image:title>WRITING - Entanglement 009: Mojdeh Rezaeipour, Natalie Amini, Kamyar Arsani, Rex Delafkaran, Bita Ghavami, Nasrin Navab, Anita Poushan, and Anahita Bradberry - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d1c17020099ed2651b04cc/1638912442154-DGS5CU3PLZDMBP2KN5M6/entangle1.jpeg</image:loc>
      <image:title>WRITING - Entanglement 009: Mojdeh Rezaeipour, Natalie Amini, Kamyar Arsani, Rex Delafkaran, Bita Ghavami, Nasrin Navab, Anita Poushan, and Anahita Bradberry - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dirtdmv.com/writing/social-movements-solidarity-and-expressing-grief-online</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-10-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d1c17020099ed2651b04cc/1625243360078-LCCKUC6Y83S4D6LZ3AO3/978-080705658-5.jpeg</image:loc>
      <image:title>WRITING - Social Movements, Solidarity, and Expressing Grief Online: An Interview with An Xiao Mina - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dirtdmv.com/writing/2021/3/31/a-place-to-visit-an-interview-with-olympia-and-jip-gallery</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-10-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d1c17020099ed2651b04cc/1617221227788-8YY18LYDKYB8FHFM4T0C/3.+MADRIGAL_RIPE.jpg</image:loc>
      <image:title>WRITING - A Place to Visit: An Interview with Olympia and Jip Gallery</image:title>
      <image:caption>Amanda Madrigal, Ripe, 2020, Gardening gloves, donated quilters fabric, poly-fill, toy parts, canvas, polymer clay, acrylic paint, 3’ x 2’ x 0.5’.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d1c17020099ed2651b04cc/1617219709675-6VNA29O0SZHF218FOYGM/2.+Lauren+Howie.png</image:loc>
      <image:title>WRITING - A Place to Visit: An Interview with Olympia and Jip Gallery</image:title>
      <image:caption>Lauren Howie, Valley, Digital Print, 11x14”.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d1c17020099ed2651b04cc/1617220096766-9PKE2FV596O3FLJ5FUB6/4.+Room+install+V.2.png</image:loc>
      <image:title>WRITING - A Place to Visit: An Interview with Olympia and Jip Gallery</image:title>
      <image:caption>View of the rooms from A Place to Visit, V. 2, 2020</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d1c17020099ed2651b04cc/1617219904586-9J0G8DRHN5ML00RHI18J/1.+Craig+Jun+Li.jpg</image:loc>
      <image:title>WRITING - A Place to Visit: An Interview with Olympia and Jip Gallery</image:title>
      <image:caption>Craig Jun Li, untitled (crossing), 2020, glass marbles and pigmented plaster on bamboo mat, 2.5 x 23 x 70"</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d1c17020099ed2651b04cc/1617220576573-3YSVB0IWR68882O1WKIQ/5.+jipxolympiaHOME.png</image:loc>
      <image:title>WRITING - A Place to Visit: An Interview with Olympia and Jip Gallery</image:title>
      <image:caption>Home page image from A Place to Visit, V. 1, 2020. Created by Hattie McLean.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dirtdmv.com/writing/2021/1/18/hyperlink-blues-experiments-in-vr-psychotherapy</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-04-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d1c17020099ed2651b04cc/1610984942983-MVN8S0ZCRUV2RAPROYNB/VR_TheStudy-4.jpg</image:loc>
      <image:title>WRITING - Hyperlink Blues: Experiments in VR Psychotherapy</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d1c17020099ed2651b04cc/1610985240732-2N41IU1GNER41E2A5AKU/VR_TheStudy-2.jpg</image:loc>
      <image:title>WRITING - Hyperlink Blues: Experiments in VR Psychotherapy</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d1c17020099ed2651b04cc/1610985256981-8P2QOL3HKJLWPYUE9I6Q/VR_TheStudy-1.jpg</image:loc>
      <image:title>WRITING - Hyperlink Blues: Experiments in VR Psychotherapy</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d1c17020099ed2651b04cc/1610986709135-1L1L2FJ9GLVH77E3NPQF/unnamed.gif</image:loc>
      <image:title>WRITING - Hyperlink Blues: Experiments in VR Psychotherapy</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d1c17020099ed2651b04cc/1610986862071-0RLJLNCDLVPPKQ6Z5IZK/VR_StudioV-1.jpg</image:loc>
      <image:title>WRITING - Hyperlink Blues: Experiments in VR Psychotherapy</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d1c17020099ed2651b04cc/1610986862071-03R333H840MPUN259BBD/VR_StudioV-6.png</image:loc>
      <image:title>WRITING - Hyperlink Blues: Experiments in VR Psychotherapy</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d1c17020099ed2651b04cc/1610986923430-IPSB51ZASCA30FV0TV7N/VR_VTimeXR-1.png</image:loc>
      <image:title>WRITING - Hyperlink Blues: Experiments in VR Psychotherapy</image:title>
    </image:image>
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  <url>
    <loc>https://www.dirtdmv.com/writing/kingoftheroad</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-10-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d1c17020099ed2651b04cc/1607901738878-X5QDUY68XBJRIL4BJ554/By+Muheb+Esmat.JPG</image:loc>
      <image:title>WRITING - King of the Road</image:title>
      <image:caption>My love, give me my heart back. I ask you this kindly." Image by Muheb Esmat</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d1c17020099ed2651b04cc/1607901149163-VVR50P1FMS2XJN8RUG7P/by+Roya+Heydari.jpeg</image:loc>
      <image:title>WRITING - King of the Road</image:title>
      <image:caption>Figure 1: "We shall go where there is no sorrow." Image by Roya Heydari</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d1c17020099ed2651b04cc/1607901197001-7ICVXXFYXM4QODELD04V/By+Roya+Heydari+%282%29.jpeg</image:loc>
      <image:title>WRITING - King of the Road</image:title>
      <image:caption>Figure 2: "Shaking hands with cowards is a mistake." Image by Roya Heydari</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d1c17020099ed2651b04cc/1607901250846-N6WVCNGODRUN3X0X9ODE/by+muheb+esmat+5.JPG</image:loc>
      <image:title>WRITING - King of the Road</image:title>
      <image:caption>Figure 3: "I saw you once, and I went crazy. I went around hundreds of times but didn't fall in love." Image by Muheb Esmat</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d1c17020099ed2651b04cc/1607901315807-1V8QISOJ4J2369EPLHKI/by+muheb+esmat+6.JPG</image:loc>
      <image:title>WRITING - King of the Road</image:title>
      <image:caption>Figure 4: Image by Muheb Esmat</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d1c17020099ed2651b04cc/1607901353326-S6VVG2K8VV91B0ZYHN10/By+Atiq+rahimi+2.png</image:loc>
      <image:title>WRITING - King of the Road</image:title>
      <image:caption>Figure 5: Image by Atiq Rahimi</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d1c17020099ed2651b04cc/1607901939118-Q7BI83MXSMUOKA2ZFB7B/by+Atiq+rahimi+3.png</image:loc>
      <image:title>WRITING - King of the Road</image:title>
      <image:caption>"Life is beautiful." Image by Atiq Rahimi</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d1c17020099ed2651b04cc/1607901455273-ZLLUNBAKN4CI481XGXLX/by+Hans+Akerboom.jpg</image:loc>
      <image:title>WRITING - King of the Road</image:title>
      <image:caption>Image by Hans Akerboom</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d1c17020099ed2651b04cc/1607901473611-K8M7BQNDLK3SYNZOPX6W/by+muheb+esmat+7.jpeg</image:loc>
      <image:title>WRITING - King of the Road</image:title>
      <image:caption>Image by Muheb Esmat</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d1c17020099ed2651b04cc/1607901554620-B7ATLUAOAF6WUZBFIM3Z/By+Muheb+Esmat3.JPG</image:loc>
      <image:title>WRITING - King of the Road</image:title>
      <image:caption>"My dear, Don’t fall in love with me as I am a passerby." Image by Muheb Esmat</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d1c17020099ed2651b04cc/1607901523878-536XZVO58UWC9E82OP1K/By+Muheb+Esmat2.JPG</image:loc>
      <image:title>WRITING - King of the Road</image:title>
      <image:caption>Image by Muheb Esmat</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d1c17020099ed2651b04cc/1607901454387-FYLMKSWIG426G2C8PLG1/By+Atiq+Rahimi+4.png</image:loc>
      <image:title>WRITING - King of the Road</image:title>
      <image:caption>"Sorrow upon the country whose accused is the legislator." Image by Atiq Rahimi</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d1c17020099ed2651b04cc/1607901581229-PY57MLADFRXJ9NQILHWW/by+muheb+esmat4.JPG</image:loc>
      <image:title>WRITING - King of the Road</image:title>
      <image:caption>"From love thorns become flowers". Image by Muheb Esmat</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d1c17020099ed2651b04cc/1607902359571-M0E38DBERS81K338CR22/by+Atiq+Rahimi.png</image:loc>
      <image:title>WRITING - King of the Road</image:title>
      <image:caption>"I shall die before I see my mother's tears." Image by Atiq Rahimi</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d1c17020099ed2651b04cc/1607901584058-0DJ54ICRVR9LIAQ8WX3W/by+Roya+Heydari+%283%29.jpeg</image:loc>
      <image:title>WRITING - King of the Road</image:title>
      <image:caption>"If I am easy, it's because of my own modesty. Otherwise, I will hunt you even if you are a lion." Image by Roya Heydari.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dirtdmv.com/writing/2020/5/11/shakshouka-sunday-ig-live-ikram-lakhdhar-amp-tsedaye-makonnen-8dtae</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-12-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d1c17020099ed2651b04cc/1606871377065-V6GGHS5SRZ5P988OT43J/unnamed.jpg</image:loc>
      <image:title>WRITING - Shakshouka Sunday: Ikram Lakhdhar and Rafram Chaddad</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d1c17020099ed2651b04cc/1606870949187-SNXP3JB336IW5K1QIPHP/63c90043-5711-43df-90e6-0aaf342ab817.JPG</image:loc>
      <image:title>WRITING - Shakshouka Sunday: Ikram Lakhdhar and Rafram Chaddad</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d1c17020099ed2651b04cc/1606871005207-HPHVOBDTVDEWI2DZDCY4/IMG_3033.PNG</image:loc>
      <image:title>WRITING - Shakshouka Sunday: Ikram Lakhdhar and Rafram Chaddad</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d1c17020099ed2651b04cc/1606871003724-P5PGZMKDCFV8V02CXEID/IMG_3029.PNG</image:loc>
      <image:title>WRITING - Shakshouka Sunday: Ikram Lakhdhar and Rafram Chaddad</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d1c17020099ed2651b04cc/1606870922718-4HQMZIFR3IZ2PHMCCLA5/IMG_3032.PNG</image:loc>
      <image:title>WRITING - Shakshouka Sunday: Ikram Lakhdhar and Rafram Chaddad</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d1c17020099ed2651b04cc/1606870984421-2X189W2OT2PQFX6JLG3K/IMG_3031.PNG</image:loc>
      <image:title>WRITING - Shakshouka Sunday: Ikram Lakhdhar and Rafram Chaddad</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d1c17020099ed2651b04cc/1606870941022-E6ISP1KUJXAIQZGJ13N0/IMG_3030.PNG</image:loc>
      <image:title>WRITING - Shakshouka Sunday: Ikram Lakhdhar and Rafram Chaddad</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d1c17020099ed2651b04cc/1606872490437-RIYAZ7NK0AKZOUGXK8CN/unnamed-1.jpg</image:loc>
      <image:title>WRITING - Shakshouka Sunday: Ikram Lakhdhar and Rafram Chaddad</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d1c17020099ed2651b04cc/1606872489432-7TJ0CKV1DIWDCE9BNL4F/unnamed-2.jpg</image:loc>
      <image:title>WRITING - Shakshouka Sunday: Ikram Lakhdhar and Rafram Chaddad</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.dirtdmv.com/writing/entanglement-008-morgan-markey</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-10-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d1c17020099ed2651b04cc/1602807689992-NB27RG0E0FG38PO8TG48/entangle1.jpg</image:loc>
      <image:title>WRITING - Entanglement 008: Morgan Markey &amp;amp; Georgie Payne</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d1c17020099ed2651b04cc/1602700279166-C4S33VM92976TSR41ZO4/PinkNippleDreams%2CC-Type+Matt%2C+230gsm+paper%2C+17+inches+by+24+inches%2C+March+2020.png</image:loc>
      <image:title>WRITING - Entanglement 008: Morgan Markey &amp;amp; Georgie Payne</image:title>
      <image:caption>Morgan Markey, Pink Nipple Dreams</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d1c17020099ed2651b04cc/1602700392665-NCSXM8LPFQ0WIC7HEMMY/Carrie+Mae+Weems%2C++Untitled+%28Colored+People+Grid%29%2C+2009%E2%80%9310.+.jpg</image:loc>
      <image:title>WRITING - Entanglement 008: Morgan Markey &amp;amp; Georgie Payne</image:title>
      <image:caption>Carrie Mae Weems, Colored People</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d1c17020099ed2651b04cc/1602700428385-6N87PV82HXSCJC22V0NW/Sonia+Boyce%2C+The+Audition%2C1997+printed+2018.png</image:loc>
      <image:title>WRITING - Entanglement 008: Morgan Markey &amp;amp; Georgie Payne</image:title>
      <image:caption>Sonia Boyce’s, The Audition</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d1c17020099ed2651b04cc/1602700323277-753BYMGMOJN9ZXM5W5YK/image-asset.jpeg</image:loc>
      <image:title>WRITING - Entanglement 008: Morgan Markey &amp;amp; Georgie Payne - ...living this ‘out of body’ experience — thinking that they should be existing in a different body, in a White body</image:title>
      <image:caption>Morgan Markey, Pink Nipple Dreams</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d1c17020099ed2651b04cc/1602776170592-49U34QU0A14W0HVUBOYI/piper.jpg</image:loc>
      <image:title>WRITING - Entanglement 008: Morgan Markey &amp;amp; Georgie Payne</image:title>
      <image:caption>Adrian Piper, My Calling (Card) #1, 1986, Offset lithograph</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dirtdmv.com/writing/2020/5/11/shakshouka-sunday-ig-live-ikram-lakhdhar-amp-tsedaye-makonnen</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-12-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d1c17020099ed2651b04cc/1589222611874-RH5YAYOCUW3BYCDSSLT1/IMG_7204.PNG</image:loc>
      <image:title>WRITING - Shakshouka Sunday</image:title>
      <image:caption>Ingredients used by Tsedaye Makonnen to make: Berbere: chili peppers, garlic, ginger, basil, korarima (Ethiopian cardamom), rue, ajwain or radhuni, nigella (black cumin), and fenugreek Kebe: clarified butter, onion, garlic, Ethiopian cardamom/korarima, fenugreek, ginger root, cumin, oregano, holy basil, turmeric, coriander, kosseret (Ethio herb that I don’t know English translation, I don’t think it grows in the US)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d1c17020099ed2651b04cc/1589223882452-1GF8D501STEUZMKAHTV4/IMG_7205.PNG</image:loc>
      <image:title>WRITING - Shakshouka Sunday</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d1c17020099ed2651b04cc/1589223518481-29V1N7ZOAXVAOJPZ4NBD/IMG_7203.PNG</image:loc>
      <image:title>WRITING - Shakshouka Sunday</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d1c17020099ed2651b04cc/1589223739264-8PMPYO92BS9KRGI5J0F7/IMG_7207.PNG</image:loc>
      <image:title>WRITING - Shakshouka Sunday</image:title>
      <image:caption>Ingredients used by Ikram Lakhdhar to make Shakshouka: diced tomatoes, garlic, onion, cilantro, eggs, olive oil, bread of choice.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dirtdmv.com/writing/2020/5/31/listening-with-nate-lewis</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-10-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d1c17020099ed2651b04cc/1593351311306-639QC8VJ19UNAPZLB5VN/1.jpg</image:loc>
      <image:title>WRITING - Listening with Nate Lewis</image:title>
      <image:caption>Signaling XXIV (2020) Hand-sculpted inkjet print, ink, graphite, frottage; 55" h x 36"w</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d1c17020099ed2651b04cc/1593356756650-AG26VUORGDYHP2XI4PSA/lewisprobingtheland5.jpg</image:loc>
      <image:title>WRITING - Listening with Nate Lewis</image:title>
      <image:caption>Probing the Land V (2020); Hand-sculpted inkjet print, ink, graphite, frottage; 44" h x 62"w</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d1c17020099ed2651b04cc/1593351440490-NRKSEQUCQLGZKLAQBHMP/lewisprobingtheland.jpg</image:loc>
      <image:title>WRITING - Listening with Nate Lewis</image:title>
      <image:caption>Probing the Land IV (2020); Hand-sculpted inkjet print, ink, graphite, frottage; 44" h x 62"w</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dirtdmv.com/writing/white-fragility-mixtape</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-04-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d1c17020099ed2651b04cc/1591033201156-PVSE08Y5S59LCB7HMI0I/55D3C241-2A58-4869-A237-96BFF7929520.jpg</image:loc>
      <image:title>WRITING - White Fragility Mixtape</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.dirtdmv.com/writing/naokowowsugi</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-10-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d1c17020099ed2651b04cc/1587739826541-W4FQ6KE6G9KZMRLGC8E1/taylor-rogers-j2CUYSgi0-Y-unsplash.jpg</image:loc>
      <image:title>WRITING - Naoko Wowsugi Guided Artist Lecture</image:title>
      <image:caption>hello, and welcome to the Naoko wowsugi guided artist lecture.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d1c17020099ed2651b04cc/1587745611630-K2SMSJ6T90839994UYL6/taylor-rogers-j2CUYSgi0-Y-unsplash.jpg</image:loc>
      <image:title>WRITING - Naoko Wowsugi Guided Artist Lecture - [Guide] As Wowsugi transfers her practice onto you, allow your body to relax. You don't need to do anything, except allow yourself to spend this time.</image:title>
      <image:caption>Take a moment to release yourself from your body. Let go of your thoughts. let go of your day. Let them wash away. Take a deep breath in. Take a deep breath out.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d1c17020099ed2651b04cc/1587694316178-SRSCG7XI9M4SDVPKB3SS/naoko.jpg</image:loc>
      <image:title>WRITING - Naoko Wowsugi Guided Artist Lecture</image:title>
      <image:caption>“Retrospectively, this experience embedded in me and my art practice. To be open, to be spontaneous, and to embrace anything”</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d1c17020099ed2651b04cc/1587743874837-J6NAC1XY3DXYQHSOOS5I/IMG_0094.jpg</image:loc>
      <image:title>WRITING - Naoko Wowsugi Guided Artist Lecture - To brainstorm this piece in Hawaii, I practiced mindfulness for the first time.</image:title>
      <image:caption>I found guided meditation on YouTube and was fascinated by the absurdity in the culture of amateur spiritual practice on the internet.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d1c17020099ed2651b04cc/1587743837076-9RWJUD7AIFGLW1HFDJHQ/IMG_0105.jpg</image:loc>
      <image:title>WRITING - Naoko Wowsugi Guided Artist Lecture - After I had come up with the title Tea(r)ism - which i thought was a really stupid word play, I really wanted to create this ridiculous concept with real effects. Toeing the line between absurdity and authentic experience.</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d1c17020099ed2651b04cc/1587743680382-HDVY4PSO57UT5BKFNRE6/IMG_0085.jpg</image:loc>
      <image:title>WRITING - Naoko Wowsugi Guided Artist Lecture</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d1c17020099ed2651b04cc/1587744706095-UJWEW40EIHVZIEEM7ZRZ/IMG_0025.jpg</image:loc>
      <image:title>WRITING - Naoko Wowsugi Guided Artist Lecture</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d1c17020099ed2651b04cc/1587744512873-0B8YWI1A3NIT6HA0F0O4/IMG_0103.jpg</image:loc>
      <image:title>WRITING - Naoko Wowsugi Guided Artist Lecture - Even though this project sounds like pseudoscience, I carefully script the participatory experience based on real research and facts.</image:title>
      <image:caption>.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d1c17020099ed2651b04cc/1587745136404-UD55KP5CIHAT80M2N92U/Tea%28r%29ism_front.jpg</image:loc>
      <image:title>WRITING - Naoko Wowsugi Guided Artist Lecture</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d1c17020099ed2651b04cc/1587745178126-Z1KM54S3UTPGO72JVAAD/IMG_0077-1.jpg</image:loc>
      <image:title>WRITING - Naoko Wowsugi Guided Artist Lecture - During the production of audio guide,</image:title>
      <image:caption>I thought everyone will laugh at the ceremony instead of cry, because the idea asking to cry collectively in public space is too much for the audience.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d1c17020099ed2651b04cc/1587744006744-F71LZMHPQD38U4NS7BZ6/IMG_0028.jpg</image:loc>
      <image:title>WRITING - Naoko Wowsugi Guided Artist Lecture - As your breathe, you converge…. ocean to mountain the moon to the sun future &amp; origin</image:title>
      <image:caption>you and others</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d1c17020099ed2651b04cc/1587747346816-KPL6M3TZD49HGBHJJAF3/umami.jpg</image:loc>
      <image:title>WRITING - Naoko Wowsugi Guided Artist Lecture</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d1c17020099ed2651b04cc/1587746746268-EIPFLM3MIYWAFI5VCIG9/umami2.jpg</image:loc>
      <image:title>WRITING - Naoko Wowsugi Guided Artist Lecture</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d1c17020099ed2651b04cc/1587746797760-5DSGHP8J4MA8QT214ASS/sirenarts802-47web.jpg</image:loc>
      <image:title>WRITING - Naoko Wowsugi Guided Artist Lecture</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d1c17020099ed2651b04cc/1587746817474-8PYBPD9DEA6NDPFETXQY/image-asset.jpeg</image:loc>
      <image:title>WRITING - Naoko Wowsugi Guided Artist Lecture</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d1c17020099ed2651b04cc/1587747092762-NV76980S68T7W84HQG9D/image-asset.jpeg</image:loc>
      <image:title>WRITING - Naoko Wowsugi Guided Artist Lecture</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d1c17020099ed2651b04cc/1587746871017-PE1VFZLBUWSHOGY0ZCMY/sirenarts802-24web.jpg</image:loc>
      <image:title>WRITING - Naoko Wowsugi Guided Artist Lecture</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d1c17020099ed2651b04cc/1587747104600-TJTCBY3FW2P85HRIF28N/sirenarts802-12web.jpg</image:loc>
      <image:title>WRITING - Naoko Wowsugi Guided Artist Lecture</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d1c17020099ed2651b04cc/1587747132582-W3RY8LQCUQWU2EKNF9ZH/image-asset.jpeg</image:loc>
      <image:title>WRITING - Naoko Wowsugi Guided Artist Lecture</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d1c17020099ed2651b04cc/1587746853821-5E1QC1L7UK6KD4BFH4US/sirenarts802-46web.jpg</image:loc>
      <image:title>WRITING - Naoko Wowsugi Guided Artist Lecture</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d1c17020099ed2651b04cc/1587700323778-4K4TD8KWRT8GXHAKK7OZ/umami3.jpg</image:loc>
      <image:title>WRITING - Naoko Wowsugi Guided Artist Lecture</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d1c17020099ed2651b04cc/1587747188727-CA3MWLLS0C6QSQCSDFNZ/taylor-rogers-j2CUYSgi0-Y-unsplash.jpg</image:loc>
      <image:title>WRITING - Naoko Wowsugi Guided Artist Lecture - Thank you for joining me today, and for your participation.</image:title>
      <image:caption>Air connects everything, all people, all beings and all universes. Keep practicing your breathing. Breathing is art. Art is breathing, the rest is fart.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dirtdmv.com/writing/2020/4/23/learning-from-end-of-life-care-workers-now-and-after-covid-19-insisting-on-structures-for-grief-and-time</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-08-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d1c17020099ed2651b04cc/1587679886511-5SAW5U494AJ7DJQ4GG4J/Untitled-for-Belfast-1.jpg</image:loc>
      <image:title>WRITING - Learning From End of Life Care Workers Now and After COVID-19: Insisting on Structures for Grief and Time</image:title>
      <image:caption>Felix Gonzalez-Torres, Untitled (For Jeff), 1992. Billboard, dimensions variable. © The Felix Gonzalez-Torres Foundation. Courtesy of Andrea Rosen Gallery, New York.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d1c17020099ed2651b04cc/1587674914611-X4HK26M240SRCNZ44B5K/7059ce79a43575b09705da2468f2748283a2b026.jpg</image:loc>
      <image:title>WRITING - Learning From End of Life Care Workers Now and After COVID-19: Insisting on Structures for Grief and Time</image:title>
      <image:caption>Healthcare workers protesting Macron’s cuts to healthcare, Paris, 2019. “TIRED HEALTHCARE WORKERS = PATIENTS IN DANGER.” Photo courtesy of AFP.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d1c17020099ed2651b04cc/1587674951023-EL20EB7ETMRYCLZ4K85V/image-asset.jpeg</image:loc>
      <image:title>WRITING - Learning From End of Life Care Workers Now and After COVID-19: Insisting on Structures for Grief and Time</image:title>
      <image:caption>Current hospital protests in the US. Photo courtesy of The New York Times.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d1c17020099ed2651b04cc/1587682394297-X7XP26ZCCJBQQF3EORS8/image-asset.png</image:loc>
      <image:title>WRITING - Learning From End of Life Care Workers Now and After COVID-19: Insisting on Structures for Grief and Time</image:title>
      <image:caption>Stages: On dying, working, and feeling, by Rachel Kauder Nalebuff.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d1c17020099ed2651b04cc/1587682189715-TPWJ93MFQGGYWN7IVSHP/Stages_Yaddo_Excerpt%2B15.jpg</image:loc>
      <image:title>WRITING - Learning From End of Life Care Workers Now and After COVID-19: Insisting on Structures for Grief and Time</image:title>
      <image:caption>Excerpt from Stages: On dying, working, and feeling, by Rachel Kauder Nalebuff. Order a copy here.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dirtdmv.com/writing/2019/9/29/we-tolerate-you</loc>
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    <loc>https://www.dirtdmv.com/writing/2019/9/13/entanglements-007</loc>
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    <lastmod>2020-10-16</lastmod>
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      <image:caption>Tsedaye Makonnen</image:caption>
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      <image:title>WRITING - Entanglements: 007 - Ayana Evans &amp;amp; Tsedaye Makonnen</image:title>
      <image:caption>Presenting The Black Avant Garde - A Tribute to Senga and Maren Luster Archival photo paper, 20x30, 2019</image:caption>
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    <image:image>
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      <image:title>WRITING - Entanglements: 007 - Ayana Evans &amp;amp; Tsedaye Makonnen</image:title>
      <image:caption>Nothing Lasts Forever Luster Archival photo paper, 20x30 and 5x7, 2019</image:caption>
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    <image:image>
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      <image:caption>Candid post-production shot in Vineyard Haven</image:caption>
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      <image:caption>You Have No Idea Who You Are Dealing With I Luster Archival photo paper, 20x30, 2019</image:caption>
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      <image:caption>Bob Jennings, member of Inkwell Polar Bears</image:caption>
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      <image:caption>Caroline Hunter, leader of Inkwell Polar Bears</image:caption>
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      <image:caption>Photograph of the Shearer Cottage in Oak Bluffs</image:caption>
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      <image:caption>Front Cover of Art On the Vine 2019 catalogue</image:caption>
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      <image:title>WRITING - Entanglements: 007 - Ayana Evans &amp;amp; Tsedaye Makonnen</image:title>
      <image:caption>Thinking of the Black Gaze — Not Really Luster Archival photo paper, 20x30, 2019</image:caption>
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  <url>
    <loc>https://www.dirtdmv.com/writing/opioid-crisis-coal</loc>
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    <lastmod>2021-10-07</lastmod>
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      <image:title>WRITING - Linking the Opioid Crisis to Coal Fields and Capitalism: an Interview with Gina Mamone and John Ryan Brubaker</image:title>
      <image:caption>Photo Courtesy of John Ryan Brubacker</image:caption>
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      <image:caption>Gina Mamone’s #whichsideareyouon</image:caption>
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      <image:title>WRITING - Linking the Opioid Crisis to Coal Fields and Capitalism: an Interview with Gina Mamone and John Ryan Brubaker</image:title>
      <image:caption>Photo Courtesy of John Ryan Brubacker</image:caption>
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      <image:caption>Photo Courtesy of John Ryan Brubacker</image:caption>
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      <image:title>WRITING - Linking the Opioid Crisis to Coal Fields and Capitalism: an Interview with Gina Mamone and John Ryan Brubaker</image:title>
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  <url>
    <loc>https://www.dirtdmv.com/writing/2019/letter-from-the-editors</loc>
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    <lastmod>2019-09-26</lastmod>
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  <url>
    <loc>https://www.dirtdmv.com/writing/oncuratorialpractice</loc>
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    <lastmod>2020-10-16</lastmod>
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      <image:title>WRITING - Entanglement 006: On Curatorial Practice: A Conversation between Generations- George Ciscle, Jose Ruiz, and Joseph OrzaL.</image:title>
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      <image:title>WRITING - Entanglement 006: On Curatorial Practice: A Conversation between Generations- George Ciscle, Jose Ruiz, and Joseph OrzaL.</image:title>
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      <image:title>WRITING - Entanglement 006: On Curatorial Practice: A Conversation between Generations- George Ciscle, Jose Ruiz, and Joseph OrzaL.</image:title>
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      <image:title>WRITING - Entanglement 006: On Curatorial Practice: A Conversation between Generations- George Ciscle, Jose Ruiz, and Joseph OrzaL. - Small Victories, School 33, Baltimore MD, 2016, Curated by José Ruiz</image:title>
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    <image:image>
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      <image:title>WRITING - Entanglement 006: On Curatorial Practice: A Conversation between Generations- George Ciscle, Jose Ruiz, and Joseph OrzaL.</image:title>
    </image:image>
    <image:image>
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      <image:title>WRITING - Entanglement 006: On Curatorial Practice: A Conversation between Generations- George Ciscle, Jose Ruiz, and Joseph OrzaL.</image:title>
      <image:caption>George Ciscle Gallery, 1980’s.</image:caption>
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    <image:image>
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      <image:title>WRITING - Entanglement 006: On Curatorial Practice: A Conversation between Generations- George Ciscle, Jose Ruiz, and Joseph OrzaL.</image:title>
      <image:caption>"Joyce J. Scott’s Kickin' it with the Old Masters”, Ciscle with MICA Exhibition Development Seminar, Baltimore Museum of Art, 2000</image:caption>
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      <image:title>WRITING - Entanglement 006: On Curatorial Practice: A Conversation between Generations- George Ciscle, Jose Ruiz, and Joseph OrzaL.</image:title>
      <image:caption>Image Description: "Joyce J. Scott’s Kickin' it with the Old Masters” with MICA Exhibition Development Seminar, Baltimore Museum of Art, 2000</image:caption>
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      <image:title>WRITING - Entanglement 006: On Curatorial Practice: A Conversation between Generations- George Ciscle, Jose Ruiz, and Joseph OrzaL. - Bronx Calling: The First AIM Biennial, 2011, Bronx Museum of the Arts, Bronx NY, co-curated by José Ruiz pictured: Jong-il Ma, Acconci Studio</image:title>
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    <image:image>
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      <image:title>WRITING - Entanglement 006: On Curatorial Practice: A Conversation between Generations- George Ciscle, Jose Ruiz, and Joseph OrzaL. - “As an art-maker you can always sort-of improvise with the work, you could drop it and flip it and it could still be ok, but with curating you can do that but you can't do that all the time.” - Jose Ruiz</image:title>
      <image:caption>Image Description: Decatur Blue (art collective), 2000-2003, Washington, D.C. Pictured from top left to bottom right: Javier Cuellar, Ryan Hackett, Bill Hill (intern), Stoff Smulson, Gabriel Martinez, José Ruiz, Brian Balderston, Champneys Taylor</image:caption>
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      <image:title>WRITING - Entanglement 006: On Curatorial Practice: A Conversation between Generations- George Ciscle, Jose Ruiz, and Joseph OrzaL.</image:title>
      <image:caption>“Invited:Celebration Station ” George Ciscle with featured artist Nobutaka Aozaki, Curatorial Practice MFA Practicum at MICA’s Riggs Gallery, 2012</image:caption>
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  <url>
    <loc>https://www.dirtdmv.com/writing/2018/10/26/retroperspective-at-rhizome</loc>
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    <priority>0.5</priority>
    <lastmod>2019-09-26</lastmod>
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      <image:title>WRITING - RETRO[per]SPECTIVE at Rhizome</image:title>
      <image:caption>Image courtesy of Blair Murphy</image:caption>
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      <image:title>WRITING - RETRO[per]SPECTIVE at Rhizome</image:title>
      <image:caption>Image courtesy of Blair Murphy</image:caption>
    </image:image>
    <image:image>
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      <image:title>WRITING - RETRO[per]SPECTIVE at Rhizome</image:title>
      <image:caption>Image courtesy of Ray Barker</image:caption>
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      <image:title>WRITING - RETRO[per]SPECTIVE at Rhizome</image:title>
      <image:caption>Image courtesy of Ray Barker</image:caption>
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  <url>
    <loc>https://www.dirtdmv.com/writing/2018/10/8/review-water-trespassing-liquid-highways-at-gallery-102</loc>
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    <priority>0.5</priority>
    <lastmod>2019-06-25</lastmod>
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      <image:title>WRITING - Review: WATER/ماء: Trespassing Liquid Highways at Gallery 102</image:title>
      <image:caption>Image courtesy of Gallery 102</image:caption>
    </image:image>
    <image:image>
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      <image:title>WRITING - Review: WATER/ماء: Trespassing Liquid Highways at Gallery 102</image:title>
      <image:caption>Image courtesy of Helen Zughaib</image:caption>
    </image:image>
    <image:image>
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      <image:title>WRITING - Review: WATER/ماء: Trespassing Liquid Highways at Gallery 102</image:title>
      <image:caption>Image courtesy of Helen Zughaib</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/58d1c17020099ed2651b04cc/1539012878323-FBU7D18UWFTOHDKI5S3P/IMG_0197.JPG</image:loc>
      <image:title>WRITING - Review: WATER/ماء: Trespassing Liquid Highways at Gallery 102</image:title>
      <image:caption>Image courtesy of Gallery 102</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dirtdmv.com/writing/2018/8/30/grounding-the-system-theresa-chromatis-charge</loc>
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    <priority>0.5</priority>
    <lastmod>2019-09-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d1c17020099ed2651b04cc/1535651585524-PGPYMMDKDCTRU3UN18RW/ts2.jpg</image:loc>
      <image:title>WRITING - Grounding the System: Theresa Chromati’s Charge</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d1c17020099ed2651b04cc/1535651919832-K9TYHNX28DUGD4SJSAVS/ts4.jpg</image:loc>
      <image:title>WRITING - Grounding the System: Theresa Chromati’s Charge</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d1c17020099ed2651b04cc/1535651674392-QGJB62R2SUJBTJX0XB6U/ts3.jpg</image:loc>
      <image:title>WRITING - Grounding the System: Theresa Chromati’s Charge</image:title>
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  </url>
  <url>
    <loc>https://www.dirtdmv.com/writing/2018/8/14/dc-almost</loc>
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    <lastmod>2020-04-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d1c17020099ed2651b04cc/1534536264403-9HLCY9M3HK1VEKHPA1TG/image-asset.jpeg</image:loc>
      <image:title>WRITING - DC, Almost</image:title>
      <image:caption>Lloyd Foster, Untitled, 2018</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d1c17020099ed2651b04cc/1534432599567-OEZXU41ITRD2MYPKU7IC/48807_09.jpg</image:loc>
      <image:title>WRITING - DC, Almost - Maybe it’s neither. Maybe it’s nowhere.</image:title>
      <image:caption>Lloyd Foster, Untitled, 2018</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d1c17020099ed2651b04cc/1534536382869-U1TQH3UUSSIMX6X8IWIT/image-asset.jpeg</image:loc>
      <image:title>WRITING - DC, Almost</image:title>
      <image:caption>Lloyd Foster, Untitled, 2018</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d1c17020099ed2651b04cc/1534432474387-1IMPH619ASPDQKVSKTDG/48807_14.jpg</image:loc>
      <image:title>WRITING - DC, Almost</image:title>
      <image:caption>Lloyd Foster, Untitled, 2018</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d1c17020099ed2651b04cc/1534433151748-S553LLALBY5T4XYRZFPH/48807_23.JPG</image:loc>
      <image:title>WRITING - DC, Almost - I was insecure, yes, but artful and strategic in concealing this truth. I championed clichés of teen rebellion through profanity, disregard for curfew, and occasional cigarette-smoking.</image:title>
      <image:caption>Lloyd Foster, Untitled, 2018</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d1c17020099ed2651b04cc/1534433049199-DZUIY0Q6K0W9OJ8J3GH0/48807_18.jpg</image:loc>
      <image:title>WRITING - DC, Almost - And once in the city, we were oddities—white peers almost disruptive amongst black locals—and both demographics underscoring the empty space in which I resided. Maybe I was neither, maybe I was nothing.</image:title>
      <image:caption>Lloyd Foster, Untitled, 2018</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d1c17020099ed2651b04cc/1534535943271-C3ZI0H5S9KUR5XKNG1IU/48807_21.JPG</image:loc>
      <image:title>WRITING - DC, Almost - Regionally, is it even my history? Extended family members inhabit D.C., yes, but how can I claim a city when I was shaped by a place related to but remote from it?</image:title>
      <image:caption>Lloyd Foster, Untitled, 2018</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d1c17020099ed2651b04cc/1534537659450-V2TXRZ5LRYKX9ORRYDDF/48807_10.jpg</image:loc>
      <image:title>WRITING - DC, Almost - In my favorite photo of him, he poses in an off-white suit and brown dress shoes outside a relative’s house. Whose, I’m not sure, but my familiarity with the look of the residential neighborhoods makes D.C., and my cousin, feel closer.</image:title>
      <image:caption>Lloyd Foster, Untitled, 2018</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d1c17020099ed2651b04cc/1534537991409-JQ6VLWBQ54ULRQE9PBKO/48807_16.jpg</image:loc>
      <image:title>WRITING - DC, Almost</image:title>
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    <image:image>
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      <image:title>WRITING - DC, Almost</image:title>
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    <image:image>
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      <image:title>WRITING - DC, Almost</image:title>
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    <image:image>
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      <image:title>WRITING - DC, Almost</image:title>
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    <image:image>
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      <image:title>WRITING - DC, Almost</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.dirtdmv.com/writing/2018/8/5/entanglements-005-nakeya-brown-larry-cook</loc>
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    <lastmod>2021-10-07</lastmod>
    <image:image>
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      <image:title>WRITING - Entanglements: 005 - Nakeya Brown &amp;amp; Larry Cook</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d1c17020099ed2651b04cc/1533675536536-9K6ZVLWK7QTAO43EQ82F/5_BackgroundBuildingAtShearrerCottage.JPG</image:loc>
      <image:title>WRITING - Entanglements: 005 - Nakeya Brown &amp;amp; Larry Cook - Background Building at Shearer Cottage, Martha's Vineyard, 2018.</image:title>
      <image:caption>Background Building at Shearer Cottage, Martha's Vineyard, 2018.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d1c17020099ed2651b04cc/1533845545664-HG05JB1EWOBLBDS3182E/Primary%232and+%234</image:loc>
      <image:title>WRITING - Entanglements: 005 - Nakeya Brown &amp;amp; Larry Cook</image:title>
      <image:caption>Nakeya Brown, Primary #2 and #4, 2018.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d1c17020099ed2651b04cc/1533844619013-4OOATUKCCRRN42GNC9HS/Untitled.jpg</image:loc>
      <image:title>WRITING - Entanglements: 005 - Nakeya Brown &amp;amp; Larry Cook - "Starting a new body of work at the residency,</image:title>
      <image:caption>Larry Cook, Untitled, 2018.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d1c17020099ed2651b04cc/1533845832754-GYT94GS51W2NSTUU708B/7_TheShearrerCottageConvertedIntoADarkRoomForLoadingFilm.jpg</image:loc>
      <image:title>WRITING - Entanglements: 005 - Nakeya Brown &amp;amp; Larry Cook - Even before we got a chance to go to Martha's Vineyard and work together, we've been collaborating, just in another way.</image:title>
      <image:caption>The Shearrer Cottage converted into a darkroom for loading film</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dirtdmv.com/writing/2018/7/12/entanglements-004-asha-elana-casey</loc>
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    <priority>0.5</priority>
    <lastmod>2020-10-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d1c17020099ed2651b04cc/1531424495048-7FGDSIGTGXLKE6EEIBQS/entangle1.jpg</image:loc>
      <image:title>WRITING - Entanglements: 004 - Asha Elana Casey and Lionel Frazier White III</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d1c17020099ed2651b04cc/1531424108358-O4T9SS2OJU7FZVRYE37E/LFW2.PNG</image:loc>
      <image:title>WRITING - Entanglements: 004 - Asha Elana Casey and Lionel Frazier White III - I think when it comes to the neighborhood,</image:title>
      <image:caption>noise is a very intrinsic part of a cultural sonic landscape.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d1c17020099ed2651b04cc/1531424192065-L9MEK42E0CQZY7IS1WOJ/LFW3.PNG</image:loc>
      <image:title>WRITING - Entanglements: 004 - Asha Elana Casey and Lionel Frazier White III</image:title>
      <image:caption>Installation shot of "Artifacts of Labor" from NEXT 2017</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d1c17020099ed2651b04cc/1531424244921-04ZD7UI8ULZL79FU5WFW/FullSizeRender.jpg</image:loc>
      <image:title>WRITING - Entanglements: 004 - Asha Elana Casey and Lionel Frazier White III</image:title>
      <image:caption>Installation shot of "Artifacts of Labor" from NEXT 2017</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dirtdmv.com/writing/fractalfutures</loc>
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    <lastmod>2019-06-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d1c17020099ed2651b04cc/1528672304842-WT7QVUV0ZWN9ZNO9HE8U/72.jpg</image:loc>
      <image:title>WRITING - Fractal Futures at Olly Olly</image:title>
      <image:caption>Image Credit: Gopi Raghu</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d1c17020099ed2651b04cc/1528475372460-FWW737TSVTY2PRASC1UD/1.jpeg</image:loc>
      <image:title>WRITING - Fractal Futures at Olly Olly</image:title>
      <image:caption>Mojdeh Rezaeipour (L): First, we must unfurl, 2018, tree branch, baby fern &amp; seashell on wood (R): Let go; Deep Rest; Big Dreams, 2018, paper &amp; tree branch in miniature pot &amp; soil</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d1c17020099ed2651b04cc/1528475396169-5P5YSGJ229MQF46PPAU3/4.jpeg</image:loc>
      <image:title>WRITING - Fractal Futures at Olly Olly</image:title>
      <image:caption>Mojdeh Rezaeipour, First, we must unfurl, 2018, tree branch, baby fern &amp; seashell on wood</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dirtdmv.com/writing/fraughtempathy</loc>
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    <priority>0.5</priority>
    <lastmod>2019-09-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d1c17020099ed2651b04cc/1525809018642-VR76Z8K6525JIS6NL47Z/larger-1.jpg</image:loc>
      <image:title>WRITING - Fraught Empathy: Privilege &amp;amp; White Guilt in Contemporary Portraiture - “The show is an effort to use my privilege to amplify voices”</image:title>
      <image:caption>Banshees &amp; Queens, on view at the W Hotel</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d1c17020099ed2651b04cc/1525808708093-7W8ZOHS84ZML8YIKJAF7/We%27re+All+Born+Naked%2C+2017.jpg</image:loc>
      <image:title>WRITING - Fraught Empathy: Privilege &amp;amp; White Guilt in Contemporary Portraiture - Identifying privilege and examining it are very different actions. Acknowledging privilege is a great first step, but it shouldn’t be the last.</image:title>
      <image:caption>Kate Warren, We're All Born Naked, 2017</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d1c17020099ed2651b04cc/1525808638299-JAJ41SRP4DCAZKKOIE7B/One+Creates+Oneself%2C+2017.jpg</image:loc>
      <image:title>WRITING - Fraught Empathy: Privilege &amp;amp; White Guilt in Contemporary Portraiture - “They love it. I wanted the space to be accessible and that it was for them, and that definitely happened.”</image:title>
      <image:caption>Kate Warren, One Creates Oneself, 2017</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d1c17020099ed2651b04cc/1525808857080-16HZRBJP7EGXOANKEII3/image-asset.jpeg</image:loc>
      <image:title>WRITING - Fraught Empathy: Privilege &amp;amp; White Guilt in Contemporary Portraiture - "It’s all very ‘fierce fierce fierce, are you gagging yet?’ ... All under the niceties of shedding light, visibility, diversity, fucking the patriarchy, insert favorite buzzword/phrase here ___.”</image:title>
      <image:caption>Kate Warren, Dive, Turn, Work, 2017: [Shown: Pussy Noir &amp; Vita Santa Mamita]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d1c17020099ed2651b04cc/1525874231815-UOL8WHNQGNS2ETZM3B3N/Men%2C+Ronald.jpg</image:loc>
      <image:title>WRITING - Fraught Empathy: Privilege &amp;amp; White Guilt in Contemporary Portraiture - "The way the South was back in the 50s and 60s, I didn't know or even really see men of color,” Mann states, “yet we were all part of the same fraught, complicated place. So, these pictures are a very personal exploration for me.”</image:title>
      <image:caption>Image: Sally Mann, Men, Ronald, gelatin silver print</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d1c17020099ed2651b04cc/1525873578723-OOTPF7VWYEWKSY03G1T3/manncandy-cigarette.jpg</image:loc>
      <image:title>WRITING - Fraught Empathy: Privilege &amp;amp; White Guilt in Contemporary Portraiture</image:title>
      <image:caption>Image: Sally Mann, Candy Cigarette, 1989, gelatin silver print</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d1c17020099ed2651b04cc/1525872731616-H8S59FSLXC1OEUZC1K9F/%E2%80%9CMen%2C+Stephen%2C%E2%80%9D+2006-2015..jpg</image:loc>
      <image:title>WRITING - Fraught Empathy: Privilege &amp;amp; White Guilt in Contemporary Portraiture - "the camera's lens like a pair of eyes boring into their backs, the shape of their calves, the rise of their chests—she tries to confront the ghosts of those that lived on her periphery"</image:title>
      <image:caption>Image: Sally Mann, Men, Stephen, 2006-2015, gelatin silver print</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d1c17020099ed2651b04cc/1525874800336-2YQNR3Q8XWK710O1IRTZ/sally-mann.jpg</image:loc>
      <image:title>WRITING - Fraught Empathy: Privilege &amp;amp; White Guilt in Contemporary Portraiture - "[Mann] is keenly aware that the representation of African American men by white artists has a long and troubled history, riddled with dehumanizing and exploitative stereotypes and objectification"</image:title>
      <image:caption>Image: Sally Mann, Untitled</image:caption>
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  </url>
  <url>
    <loc>https://www.dirtdmv.com/writing/entanglements003</loc>
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    <lastmod>2019-09-26</lastmod>
    <image:image>
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      <image:title>WRITING - Entanglements: 003 - Daizy and Steven Cushner</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d1c17020099ed2651b04cc/1519924390014-P9JZKR0917ND6VTA6ZHK/Akemi+Maegawa+Cushner+Interview++drawing+%232.jpg</image:loc>
      <image:title>WRITING - Entanglements: 003 - Daizy and Steven Cushner</image:title>
      <image:caption>Akemi Maegawa, Cushner Interview drawing #2</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d1c17020099ed2651b04cc/1519936762784-AZ9G54K0ZPA4XJ4ZZFV6/image-asset.jpeg</image:loc>
      <image:title>WRITING - Entanglements: 003 - Daizy and Steven Cushner</image:title>
      <image:caption>Steven and Daizy Cushner In The Studio, 1992</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d1c17020099ed2651b04cc/1519926824482-BUEVWK605U2LWLHI40Q8/steven+cushner+student+portrait++%231.jpg</image:loc>
      <image:title>WRITING - Entanglements: 003 - Daizy and Steven Cushner - Portraits of Steven Cushner by Drawing 1 students at George Mason University</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d1c17020099ed2651b04cc/1519926823411-IUZC7M6V4FK0XI2RPNTV/steven+cushner+student+portrait++%232.jpg</image:loc>
      <image:title>WRITING - Entanglements: 003 - Daizy and Steven Cushner</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d1c17020099ed2651b04cc/1519926826532-YU588LBW9AU7700KUHB9/steven+cushner+student+portrait++%233.jpg</image:loc>
      <image:title>WRITING - Entanglements: 003 - Daizy and Steven Cushner</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d1c17020099ed2651b04cc/1519926685641-48AXWZ8S0AS3AJ9K793H/Daizy+Cushner+student+portrait++%231.jpg</image:loc>
      <image:title>WRITING - Entanglements: 003 - Daizy and Steven Cushner</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d1c17020099ed2651b04cc/1519926685621-7TZINBLMXESDELMWU2NX/Daizy+Cushner+student+portrait++%232.jpg</image:loc>
      <image:title>WRITING - Entanglements: 003 - Daizy and Steven Cushner</image:title>
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    <image:image>
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      <image:title>WRITING - Entanglements: 003 - Daizy and Steven Cushner</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d1c17020099ed2651b04cc/1519936844490-7WG9ESIZ2DQGVK6HJU40/SteveCushner1.jpg</image:loc>
      <image:title>WRITING - Entanglements: 003 - Daizy and Steven Cushner</image:title>
      <image:caption>Steven Cushner in his studio 2016, Max Hirshfeld</image:caption>
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    <image:image>
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      <image:title>WRITING - Entanglements: 003 - Daizy and Steven Cushner</image:title>
      <image:caption>Daizy Cushner In The Studio, 1992</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d1c17020099ed2651b04cc/1519936954811-KBXEYW3KJN1OIJBRB9XC/Daizy+Cushner+In+The++Studio%2CSkopelos%2C+Greece%2C+2016.jpg</image:loc>
      <image:title>WRITING - Entanglements: 003 - Daizy and Steven Cushner</image:title>
      <image:caption>Daizy Cushner In The Studio, Skopelos, Greece, 2016</image:caption>
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  </url>
  <url>
    <loc>https://www.dirtdmv.com/writing/entanglements002</loc>
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    <priority>0.5</priority>
    <lastmod>2019-09-26</lastmod>
    <image:image>
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      <image:title>WRITING - Entanglements: 002 - Martina and Monique Dodd</image:title>
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      <image:title>WRITING - Entanglements: 002 - Martina and Monique Dodd</image:title>
      <image:caption>Detail shot of (Re)mnats installation</image:caption>
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      <image:title>WRITING - Entanglements: 002 - Martina and Monique Dodd</image:title>
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      <image:title>WRITING - Entanglements: 002 - Martina and Monique Dodd</image:title>
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  <url>
    <loc>https://www.dirtdmv.com/writing/2018/2/20/on-modern-dance</loc>
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    <lastmod>2019-09-26</lastmod>
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      <image:title>WRITING - On Modern Dance: Choreographers' showcase at the clarice smith performing arts center</image:title>
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      <image:title>WRITING - On Modern Dance: Choreographers' showcase at the clarice smith performing arts center</image:title>
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      <image:title>WRITING - On Modern Dance: Choreographers' showcase at the clarice smith performing arts center</image:title>
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  <url>
    <loc>https://www.dirtdmv.com/writing/entanglements001</loc>
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    <lastmod>2019-09-26</lastmod>
    <image:image>
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      <image:caption>Adrienne Gaither, Mythological Hero Achilles (Remembrance &amp; Mourning), 2017. Acrylic on canvas, 60 x 48 in.</image:caption>
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      <image:title>WRITING - Entanglements: 001 - Jordan Martin &amp;amp; Adrienne Gaither&amp;nbsp;</image:title>
      <image:caption>Adrienne Gaither, White Keys, 2012. Acrylic on canvas, 5 x 7 in. (26 pieces)</image:caption>
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      <image:caption>Adrienne Gaither, A Woman to Remember (Memoirs of Permanence), 2014. Digital print, 18 x 24 in</image:caption>
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      <image:title>WRITING - Entanglements: 001 - Jordan Martin &amp;amp; Adrienne Gaither&amp;nbsp;</image:title>
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  <url>
    <loc>https://www.dirtdmv.com/writing/entanglements</loc>
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  <url>
    <loc>https://www.dirtdmv.com/writing/2017/12/28/letter-from-the-editor</loc>
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    <lastmod>2019-06-25</lastmod>
  </url>
  <url>
    <loc>https://www.dirtdmv.com/writing/2017/12/11/ed-love-heroes-at-kravetswehby-gallery-ny</loc>
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      <image:title>WRITING - Ed Love Heroes at Kravets|Wehby Gallery NY</image:title>
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      <image:title>WRITING - Ed Love Heroes at Kravets|Wehby Gallery NY</image:title>
      <image:caption>Faena 2 - The Killing of Clifford Glover (Image courtesy of Kravets/Wehby Gallery)</image:caption>
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      <image:title>WRITING - Ed Love Heroes at Kravets|Wehby Gallery NY</image:title>
      <image:caption>(Image courtesy of Kravets/Wehby Gallery)</image:caption>
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      <image:title>WRITING - Ed Love Heroes at Kravets|Wehby Gallery NY</image:title>
      <image:caption>(Image courtesy of Kravets/Wehby Gallery)</image:caption>
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  </url>
  <url>
    <loc>https://www.dirtdmv.com/writing/archivesintro</loc>
    <changefreq>monthly</changefreq>
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    <lastmod>2019-06-25</lastmod>
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    <lastmod>2019-06-25</lastmod>
  </url>
  <url>
    <loc>https://www.dirtdmv.com/writing/archivespart2</loc>
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    <priority>0.5</priority>
    <lastmod>2019-06-25</lastmod>
    <image:image>
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      <image:caption>Still from M.L.</image:caption>
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    <changefreq>monthly</changefreq>
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    <lastmod>2019-06-25</lastmod>
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    <loc>https://www.dirtdmv.com/writing/archivespart4</loc>
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    <lastmod>2019-06-25</lastmod>
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    <lastmod>2019-06-25</lastmod>
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      <image:title>WRITING - Capturing the Moment: Archiving Performance Art in A Post-internet World</image:title>
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      <image:title>WRITING - Capturing the Moment: Archiving Performance Art in A Post-internet World</image:title>
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      <image:title>WRITING - Capturing the Moment: Archiving Performance Art in A Post-internet World</image:title>
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      <image:title>WRITING - Capturing the Moment: Archiving Performance Art in A Post-internet World</image:title>
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  <url>
    <loc>https://www.dirtdmv.com/writing/archivespart6</loc>
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    <priority>0.5</priority>
    <lastmod>2019-06-25</lastmod>
    <image:image>
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      <image:title>WRITING - Collect Your Thoughts: An Artist's Living Things</image:title>
      <image:caption>Eucalyptus slice scan (2017), obtained during work at Snøhetta</image:caption>
    </image:image>
    <image:image>
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      <image:title>WRITING - Collect Your Thoughts: An Artist's Living Things</image:title>
      <image:caption>The last Andy Warhol Time Capsule to be opened, TC 500 of 610 (Courtesy: Andy Warhol Museum Archive)</image:caption>
    </image:image>
    <image:image>
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      <image:title>WRITING - Collect Your Thoughts: An Artist's Living Things</image:title>
      <image:caption>Dormitory room number, Tokyo, 2014</image:caption>
    </image:image>
    <image:image>
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      <image:title>WRITING - Collect Your Thoughts: An Artist's Living Things</image:title>
      <image:caption>Tokyo Subway Map, 2014, obtained during 3-month undergraduate semester</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d1c17020099ed2651b04cc/1508878920965-JKA8FDQO6DBR4WZVD4LB/image-asset.png</image:loc>
      <image:title>WRITING - Collect Your Thoughts: An Artist's Living Things</image:title>
      <image:caption>Exhibition brochure, Seoul Museum of Art, 2014</image:caption>
    </image:image>
    <image:image>
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      <image:title>WRITING - Collect Your Thoughts: An Artist's Living Things</image:title>
      <image:caption>Various exhibition brochures and envelope, Tokyo &amp; Seoul, 2014, New York, 2017</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d1c17020099ed2651b04cc/1508879184712-CYBNWI5QGL2U6V6JOLO9/image-asset.png</image:loc>
      <image:title>WRITING - Collect Your Thoughts: An Artist's Living Things</image:title>
      <image:caption>Various exhibition brochures, Museum of Modern Art Tokyo, Mori Art Museum, 2014</image:caption>
    </image:image>
    <image:image>
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      <image:title>WRITING - Collect Your Thoughts: An Artist's Living Things</image:title>
      <image:caption />
    </image:image>
    <image:image>
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      <image:title>WRITING - Collect Your Thoughts: An Artist's Living Things</image:title>
      <image:caption />
    </image:image>
    <image:image>
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      <image:title>WRITING - Collect Your Thoughts: An Artist's Living Things - Axon Police Body Camera Footage, January 20, 2017</image:title>
      <image:caption />
    </image:image>
    <image:image>
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      <image:title>WRITING - Collect Your Thoughts: An Artist's Living Things</image:title>
      <image:caption />
    </image:image>
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      <image:title>WRITING - Collect Your Thoughts: An Artist's Living Things</image:title>
      <image:caption>Tetsumi Kudo Retrospective Exhibition Map, Museum of Modern Art, Tokyo, 2014</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dirtdmv.com/writing/archivespart7</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-06-25</lastmod>
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      <image:title>WRITING - Stories from Between the Archives</image:title>
      <image:caption>Wiseman, Valerie. 10.10.12. 2012; Spiral Notebook, Pilot G-2 Ultra Fine 0.38mm Gel Pen, Digital image.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d1c17020099ed2651b04cc/1508875132771-77OPD8MBZVO2XF0OE4TH/IMG_7799.JPG</image:loc>
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      <image:caption>"walter hopps will be here in 20 minutes" button. 2017; Digital image.</image:caption>
    </image:image>
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      <image:title>WRITING - Stories from Between the Archives</image:title>
      <image:caption>James Huckenpahler at the corner of 19th St NW &amp; Columbia St NW in Adams Morgan, Washington, DC. October 2017; Digital image.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d1c17020099ed2651b04cc/1508875405686-V2G57IRFHDQP0F1VANT0/Screen+Shot+2017-10-06+at+2.24.15+PM.png</image:loc>
      <image:title>WRITING - Stories from Between the Archives</image:title>
      <image:caption>Artist map detailing location. 2017; Digital image.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d1c17020099ed2651b04cc/1508967553185-OL1U7AP181LIZXCD5PFL/IMG_8205.PNG</image:loc>
      <image:title>WRITING - Stories from Between the Archives</image:title>
      <image:caption>"Propaganda and Dreams: Photographing the 1930's in the USSR and US (October 20, 1999 - February 13, 2000[Uptown])"; found frame; 2017; Digital image.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d1c17020099ed2651b04cc/1508967443206-OMCB9MWDT2D5RW13P7QC/IMG_8204.PNG</image:loc>
      <image:title>WRITING - Stories from Between the Archives</image:title>
      <image:caption>"Propaganda and Dreams: Photographing the 1930's in the USSR and US (October 20, 1999 - February 13, 2000[Uptown])"; found frame; 2017; Digital image.</image:caption>
    </image:image>
    <image:image>
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      <image:title>WRITING - Stories from Between the Archives</image:title>
      <image:caption>"Propaganda and Dreams: Photographing the 1930's in the USSR and US (October 20, 1999 - February 13, 2000[Uptown])"; found frame; 2017; Digital image.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d1c17020099ed2651b04cc/1508876032041-4QA5T9ZR5ZLST9TA2X9L/Poster+Featured+in+Now+More+Than+Ever%2C%C2%A0April+15+-+May+27+at+Washington+Project+for+the+Arts%3B+October+2017%3B+Digital+image.</image:loc>
      <image:title>WRITING - Stories from Between the Archives</image:title>
      <image:caption>Nixon's Campaign Poster Featured in 'Now More Than Ever', April 15 - May 27 at Washington Project for the Arts; October 2017; Digital image.</image:caption>
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    <image:image>
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      <image:title>WRITING - Stories from Between the Archives</image:title>
      <image:caption>"Serial Mom" t-shirt; 2017; Digital Image.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d1c17020099ed2651b04cc/1508876416970-1T0T771ZPQG8T8AIVZ15/IMG_8208.PNG</image:loc>
      <image:title>WRITING - Stories from Between the Archives</image:title>
      <image:caption>"Serial Mom" t-shirt; 2017; Digital Image.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d1c17020099ed2651b04cc/1508986510345-RXPZEK0ZQO6MBTM1UA7O/DCArtClassified.png</image:loc>
      <image:title>WRITING - Stories from Between the Archives</image:title>
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  </url>
  <url>
    <loc>https://www.dirtdmv.com/writing/2017/10/18/dirt-in-conversation-with-sadie-barnette-the-2017-navigation-press-visiting-artist</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-09-26</lastmod>
    <image:image>
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      <image:title>WRITING - DIRT IN CONVERSATION WITH SADIE BARNETTE, THE 2017 NAVIGATION PRESS VISITING ARTIST</image:title>
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      <image:title>WRITING - DIRT IN CONVERSATION WITH SADIE BARNETTE, THE 2017 NAVIGATION PRESS VISITING ARTIST</image:title>
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    <image:image>
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      <image:title>WRITING - DIRT IN CONVERSATION WITH SADIE BARNETTE, THE 2017 NAVIGATION PRESS VISITING ARTIST</image:title>
    </image:image>
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      <image:title>WRITING - DIRT IN CONVERSATION WITH SADIE BARNETTE, THE 2017 NAVIGATION PRESS VISITING ARTIST</image:title>
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    <image:image>
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      <image:title>WRITING - DIRT IN CONVERSATION WITH SADIE BARNETTE, THE 2017 NAVIGATION PRESS VISITING ARTIST</image:title>
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    <image:image>
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      <image:title>WRITING - DIRT IN CONVERSATION WITH SADIE BARNETTE, THE 2017 NAVIGATION PRESS VISITING ARTIST</image:title>
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    <image:image>
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      <image:title>WRITING - DIRT IN CONVERSATION WITH SADIE BARNETTE, THE 2017 NAVIGATION PRESS VISITING ARTIST</image:title>
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  </url>
  <url>
    <loc>https://www.dirtdmv.com/writing/2017/10/3/making-space-for-ourselves-black-women-and-the-power-of-artcommunity-interview</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-04-02</lastmod>
    <image:image>
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      <image:title>WRITING - INTERVIEW: Making Space for Ourselves - Black Women and the Power of Art+Community</image:title>
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    <image:image>
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      <image:title>WRITING - INTERVIEW: Making Space for Ourselves - Black Women and the Power of Art+Community</image:title>
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      <image:title>WRITING - INTERVIEW: Making Space for Ourselves - Black Women and the Power of Art+Community</image:title>
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  </url>
  <url>
    <loc>https://www.dirtdmv.com/writing/2017/9/13/lw8mtgozd2y50u07vrxof2mgn4yjih</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-06-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d1c17020099ed2651b04cc/1505323405552-ZDA1M9HUOTWWGQW0L0GC/persepolis_05.jpg</image:loc>
      <image:title>WRITING - Why Art Historians Shouldn’t Ignore Comics</image:title>
      <image:caption>Persepolis, Marjane Satrapi, originally published in 2000</image:caption>
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    <image:image>
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      <image:title>WRITING - Why Art Historians Shouldn’t Ignore Comics</image:title>
      <image:caption>Skim, Mariko Tamaki, originally published in 2008</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d1c17020099ed2651b04cc/1505323341705-5SNEFOLPJ82FONMLGPMU/Black_panther_superhero_ta-nehisi_coates_850_593.jpg</image:loc>
      <image:title>WRITING - Why Art Historians Shouldn’t Ignore Comics</image:title>
      <image:caption>Black Panther, written by Ta-Nehisi Coates, illustrated by Brian Stelfreeze, originally published in 2016</image:caption>
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    <image:image>
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      <image:title>WRITING - Why Art Historians Shouldn’t Ignore Comics</image:title>
      <image:caption>Small Press Expo (www.smallpressexpo.com</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dirtdmv.com/writing/2017/8/7/gentrification-and-race-in-the-new-shaw-a-conversation-with-the-owner-of-calabash-tea</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-06-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d1c17020099ed2651b04cc/1502230364664-THP5FKEZ5F223U0AOABG/image-asset.jpeg</image:loc>
      <image:title>WRITING - Gentrification and Race in the New Shaw: A Conversation with the Owner of Calabash Teahouse &amp;amp; Cafe</image:title>
      <image:caption>Calabash Tea House, 1847 7th St NW, Washington, DC 20001</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d1c17020099ed2651b04cc/1502230554505-M027XA2N124HCIRHYAR6/image-asset.jpeg</image:loc>
      <image:title>WRITING - Gentrification and Race in the New Shaw: A Conversation with the Owner of Calabash Teahouse &amp;amp; Cafe</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d1c17020099ed2651b04cc/1502230026124-QUNQZ5C4UE132131A3H6/image-asset.jpeg</image:loc>
      <image:title>WRITING - Gentrification and Race in the New Shaw: A Conversation with the Owner of Calabash Teahouse &amp;amp; Cafe</image:title>
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      <image:title>WRITING - Gentrification and Race in the New Shaw: A Conversation with the Owner of Calabash Teahouse &amp;amp; Cafe</image:title>
      <image:caption>'The Shay'</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d1c17020099ed2651b04cc/1502230254913-W4561UTO55ZXVLTKAD8J/image-asset.jpeg</image:loc>
      <image:title>WRITING - Gentrification and Race in the New Shaw: A Conversation with the Owner of Calabash Teahouse &amp;amp; Cafe</image:title>
    </image:image>
    <image:image>
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      <image:title>WRITING - Gentrification and Race in the New Shaw: A Conversation with the Owner of Calabash Teahouse &amp;amp; Cafe</image:title>
      <image:caption>Sunyatta Amen, Image Courtesy of Amen</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d1c17020099ed2651b04cc/1502229891072-HJ0XBBL16SQDQZDB67IO/image-asset.jpeg</image:loc>
      <image:title>WRITING - Gentrification and Race in the New Shaw: A Conversation with the Owner of Calabash Teahouse &amp;amp; Cafe</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.dirtdmv.com/writing/2017/7/31/the-automat</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-09-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d1c17020099ed2651b04cc/1501555403520-O4SET9A296JYPQ97WGB7/image1.jpeg</image:loc>
      <image:title>WRITING - The Automat</image:title>
      <image:caption>Woman Eating, Duane Hanson, polyester resin polychromed in oil paint with clothes and accessories, 50 x 30 x 55", (1971), Smithsonian American Art Museum</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d1c17020099ed2651b04cc/1501555312189-WR3FQB4YWY48W9WK3516/image-asset.jpeg</image:loc>
      <image:title>WRITING - The Automat</image:title>
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    <image:image>
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      <image:title>WRITING - The Automat</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d1c17020099ed2651b04cc/1501555387453-308P152S59RU1PI3U8ET/image-asset.jpeg</image:loc>
      <image:title>WRITING - The Automat</image:title>
      <image:caption>Marisol, Judith Shea, polystyrene foam, balsa wood, felt, paper clay, paint, steel and synthetic hair, 69 5/8 × 24 1/2 × 13" (2014), Smithsonian National Portrait Gallery</image:caption>
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  </url>
  <url>
    <loc>https://www.dirtdmv.com/writing/2017/7/17/a-chocolate-city-is-no-dream-its-my-piece-of-the-rock</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-10-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d1c17020099ed2651b04cc/1500559581967-2IKGEB9V3HGQRP7NVZ9S/Home-rule+rally%2C+1966.+Photograph+courtesy+of+MLK+Library.</image:loc>
      <image:title>WRITING - A chocolate city is no dream, It's my piece of the rock</image:title>
      <image:caption>Home-rule rally, 1966. Photograph courtesy of MLK Library.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d1c17020099ed2651b04cc/1500588513328-018OLF9C37P73UY4IND9/image-asset.jpeg</image:loc>
      <image:title>WRITING - A chocolate city is no dream, It's my piece of the rock</image:title>
      <image:caption>Andre “Whiteboy” Johnson of Rare Essence, 1990. Photograph by Darrow Montgomery/ Washington City Paper.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d1c17020099ed2651b04cc/1500559674556-HOQMWJ7KWRPQUGMZWNGV/Marion+Barry%E2%80%99s+first+mayoral+run%2C+1978.+Photograph+by+James+A.+Parcell%2FWashington+Post%2FGetty+Images.</image:loc>
      <image:title>WRITING - A chocolate city is no dream, It's my piece of the rock</image:title>
      <image:caption>Marion Barry’s first mayoral run, 1978. Photograph by James A. Parcell/Washington Post/Getty Images.</image:caption>
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  </url>
  <url>
    <loc>https://www.dirtdmv.com/writing/2017/7/10/interview-regina-miele-in-conversation-with-nicole-osborne</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-06-25</lastmod>
    <image:image>
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      <image:title>WRITING - INTERVIEW: Regina Miele in conversation with Nicole Osborne</image:title>
      <image:caption>View of 14th Street, Washington, DC</image:caption>
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      <image:title>WRITING - INTERVIEW: Regina Miele in conversation with Nicole Osborne</image:title>
      <image:caption>View of 14th Street, Washington, DC</image:caption>
    </image:image>
    <image:image>
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      <image:title>WRITING - INTERVIEW: Regina Miele in conversation with Nicole Osborne</image:title>
      <image:caption>View of 14th Street, Washington, DC</image:caption>
    </image:image>
    <image:image>
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      <image:title>WRITING - INTERVIEW: Regina Miele in conversation with Nicole Osborne</image:title>
      <image:caption>View from atop Miele’s studio on 14th street, Washington, DC</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dirtdmv.com/writing/2017/6/23/review-bloodlinescurated-by-martina-dodd</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-06-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d1c17020099ed2651b04cc/1498246738497-K6E6BLIDZZA6YYP6JFSO/image-asset.jpeg</image:loc>
      <image:title>WRITING - REVIEW: "Bloodlines" curated By Martina Dodd</image:title>
      <image:caption>The àjé Collective (Image c/o Katelynn Dunn)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d1c17020099ed2651b04cc/1498246763633-06FKMU7TLKHFY4KG60AI/image-asset.jpeg</image:loc>
      <image:title>WRITING - REVIEW: "Bloodlines" curated By Martina Dodd</image:title>
      <image:caption>The àjé Collective (Image c/o Katelynn Dunn)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d1c17020099ed2651b04cc/1498246528592-O2TBYYA5KV1CHW8M8O4J/IMG_0004.JPG</image:loc>
      <image:title>WRITING - REVIEW: "Bloodlines" curated By Martina Dodd</image:title>
      <image:caption>Makonnen (Image c/o Nate Jarvis)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d1c17020099ed2651b04cc/1498316668915-F9RTBHJ5N44MA8CZRY4M/FullSizeRender+%287%29.jpg</image:loc>
      <image:title>WRITING - REVIEW: "Bloodlines" curated By Martina Dodd</image:title>
      <image:caption>The Crowing, A Performance by Tseday Makonnen(Image c/o Transformer)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d1c17020099ed2651b04cc/1498246015207-TKI2LW4TN2F4VTQEB26F/IMG_0003.JPG</image:loc>
      <image:title>WRITING - REVIEW: "Bloodlines" curated By Martina Dodd</image:title>
      <image:caption>The Crowing, A Performance by Tseday Makonnen (Image c/o Transformer)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d1c17020099ed2651b04cc/1498247147668-BWG29SFXLEN1DMCNBHHE/image-asset.jpeg</image:loc>
      <image:title>WRITING - REVIEW: "Bloodlines" curated By Martina Dodd</image:title>
      <image:caption>Lisa Hill (Image c/o Transformer)</image:caption>
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    <image:image>
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      <image:title>WRITING - REVIEW: "Bloodlines" curated By Martina Dodd</image:title>
      <image:caption>Samera Paz (Image c/o The Artist)</image:caption>
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    <image:image>
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      <image:title>WRITING - REVIEW: "Bloodlines" curated By Martina Dodd</image:title>
      <image:caption>Iman Person (Image c/o The Artist)</image:caption>
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  </url>
  <url>
    <loc>https://www.dirtdmv.com/writing/nowmorethanever</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-06-25</lastmod>
    <image:image>
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      <image:title>WRITING - REVIEW: "NOW MORE THAN EVER" at Washington Project for the Arts</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d1c17020099ed2651b04cc/1494557372979-S2ZQDU8JLGL346WOJSSC/image-asset.jpeg</image:loc>
      <image:title>WRITING - REVIEW: "NOW MORE THAN EVER" at Washington Project for the Arts</image:title>
      <image:caption>Adrienne Gaither, I Don’t See Color and Nightshift in Blue (Red &amp; Green Deficient</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d1c17020099ed2651b04cc/1494557458311-OF6TBUU2RGWBIHWN4766/image-asset.jpeg</image:loc>
      <image:title>WRITING - REVIEW: "NOW MORE THAN EVER" at Washington Project for the Arts</image:title>
      <image:caption>Adrienne Gaither, And Now The World Knows</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d1c17020099ed2651b04cc/1494557771100-XW4EEQA7BCOFEEL9YZVD/image-asset.jpeg</image:loc>
      <image:title>WRITING - REVIEW: "NOW MORE THAN EVER" at Washington Project for the Arts</image:title>
      <image:caption>Joseph Orzal, TL;DR</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d1c17020099ed2651b04cc/1494557734503-DRV83YNMQSBUYX9QXXEV/image-asset.jpeg</image:loc>
      <image:title>WRITING - REVIEW: "NOW MORE THAN EVER" at Washington Project for the Arts</image:title>
      <image:caption>Ani Bradberry, Preventative Patrol</image:caption>
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    <image:image>
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      <image:title>WRITING - REVIEW: "NOW MORE THAN EVER" at Washington Project for the Arts</image:title>
      <image:caption>Justin Poppe, Never Had a Chance to Grow</image:caption>
    </image:image>
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  <url>
    <loc>https://www.dirtdmv.com/writing/2017/5/7/in-the-tower-theaster-gates-the-minor-arts</loc>
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    <lastmod>2019-06-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d1c17020099ed2651b04cc/1494178977879-003EUTZQQCJXSJPD73MI/Theaster+Gates%2C+A+Game+of+My+Own%2C+2017%2C+wood%2C+paint%2C+black+stain%2C+Alabama+ball+clay%2C+Courtesy+of+the+artist%2C+White+Cube%2C+and+Regen+Projects</image:loc>
      <image:title>WRITING - IN THE TOWER WITH LANGSTON &amp;amp; THEASTER: A REVIEW OF "THE MINOR ARTS"</image:title>
      <image:caption>Theaster Gates, A Game of My Own, 2017, wood, paint, black stain, Alabama ball clay. (Image courtesy Theaster Gates, White Cube and Regen Projects/National Gallery of Art)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d1c17020099ed2651b04cc/1494179864176-KLY0BA3N9QNJ44J3D8X2/theastergates_theminorarts_6.jpg</image:loc>
      <image:title>WRITING - IN THE TOWER WITH LANGSTON &amp;amp; THEASTER: A REVIEW OF "THE MINOR ARTS"</image:title>
      <image:caption>"New Egypt Sanctuary of the Holy Word and Image and 12 Suns with Sunset.” (Image courtesy Theaster Gates, White Cube and Regen Projects/National Gallery of Art)</image:caption>
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  </url>
  <url>
    <loc>https://www.dirtdmv.com/writing/revisiondc</loc>
    <changefreq>monthly</changefreq>
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    <lastmod>2019-06-25</lastmod>
    <image:image>
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      <image:title>WRITING - DIRT (RE):VISIONDC</image:title>
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      <image:title>WRITING - DIRT (RE):VISIONDC</image:title>
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      <image:title>WRITING - DIRT (RE):VISIONDC</image:title>
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      <image:title>WRITING - DIRT (RE):VISIONDC</image:title>
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  </url>
  <url>
    <loc>https://www.dirtdmv.com/writing/2017/4/7/in-defense-of-kusamas-self-a-response-to-phillip-kennicott</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-06-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d1c17020099ed2651b04cc/1491587392437-AS3K1N5V40U46VWDFJ34/image-asset.jpeg</image:loc>
      <image:title>WRITING - In Defense of Kusama's "Self": A Response to Phillip Kennicott</image:title>
      <image:caption>Yayoi Kusama, Infinity Mirror Room—Phalli's Field, 1965/2016, Stuffed cotton, board, and mirrors (collection of the artist)</image:caption>
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  <url>
    <loc>https://www.dirtdmv.com/writing/2017/4/7/from-satellite-to-springbreak-dirt-talks-w-rives-wiley-about-art-fairs</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-06-25</lastmod>
    <image:image>
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      <image:title>WRITING - From Satellite to SPRING/BREAK : DIRT Talks w/ Rives Wiley about Art Fairs</image:title>
      <image:caption>Rives Wiley', DIY Laser Eye Surgery - installation, 2016, Oil paint, hair weave, wood, resin, video. 100x96x40 inches.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d1c17020099ed2651b04cc/1491586913537-2B9COLLOTOHCLV5VHYB6/image-asset.png</image:loc>
      <image:title>WRITING - From Satellite to SPRING/BREAK : DIRT Talks w/ Rives Wiley about Art Fairs</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d1c17020099ed2651b04cc/1491586870922-LRSIU3S93GO6VDGVL44S/image-asset.png</image:loc>
      <image:title>WRITING - From Satellite to SPRING/BREAK : DIRT Talks w/ Rives Wiley about Art Fairs</image:title>
      <image:caption>Image courtesy of the the artist's instagram page</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dirtdmv.com/writing/2017/4/7/an-ode-to-democratic-disintegration-dirt-qa-with-the-holladay-brothers</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-06-25</lastmod>
    <image:image>
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      <image:title>WRITING - AN ODE TO DEMOCRATIC DISINTEGRATION : DIRT Q+A WITH THE HOLLADAY BROTHERS</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.dirtdmv.com/writing/2017/4/7/state-targeted-innocence-and-the-crisis-of-broken-objects-remembering-the-2017-inauguration-day-protests-in-washington-dc</loc>
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    <lastmod>2019-06-25</lastmod>
    <image:image>
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      <image:title>WRITING - State-Targeted Innocence and the Crisis of Broken Objects: Remembering the 2017 Inauguration Day Protests in Washington, DC</image:title>
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    <image:image>
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      <image:title>WRITING - State-Targeted Innocence and the Crisis of Broken Objects: Remembering the 2017 Inauguration Day Protests in Washington, DC</image:title>
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    <image:image>
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      <image:title>WRITING - State-Targeted Innocence and the Crisis of Broken Objects: Remembering the 2017 Inauguration Day Protests in Washington, DC</image:title>
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      <image:title>WRITING - State-Targeted Innocence and the Crisis of Broken Objects: Remembering the 2017 Inauguration Day Protests in Washington, DC</image:title>
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  <url>
    <loc>https://www.dirtdmv.com/writing/2017/4/7/a-queer-celebration-of-filth-and-resistance-eames-armstrong-and-john-moletress-talk-perversion-therapy</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-06-25</lastmod>
    <image:image>
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      <image:title>WRITING - A Queer Celebration of Filth and Resistance: Eames Armstrong and John Moletress Talk Perversion Therapy</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d1c17020099ed2651b04cc/1491587718622-XKUZ504N5STLKKK7HANS/image-asset.png</image:loc>
      <image:title>WRITING - A Queer Celebration of Filth and Resistance: Eames Armstrong and John Moletress Talk Perversion Therapy</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d1c17020099ed2651b04cc/1491587704637-CQF57BMVMYF15DPV43X2/image-asset.png</image:loc>
      <image:title>WRITING - A Queer Celebration of Filth and Resistance: Eames Armstrong and John Moletress Talk Perversion Therapy</image:title>
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  <url>
    <loc>https://www.dirtdmv.com/writing/2017/4/7/review-michaela-pilar-browns-things-get-lost-at-honfleur-gallery</loc>
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    <lastmod>2019-06-25</lastmod>
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      <image:title>WRITING - Review: Michaela Pilar Brown’s "Things Get Lost" at Honfleur Gallery</image:title>
      <image:caption>Michaela Pilar Brown, The Aunties (2016), image courtesy Honfleur Gallery Facebook Page</image:caption>
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    <image:image>
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      <image:title>WRITING - Review: Michaela Pilar Brown’s "Things Get Lost" at Honfleur Gallery</image:title>
      <image:caption>1979, Untitled, Weeping Moon (2015), image courtesy Honfleur Gallery Facebook Page</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d1c17020099ed2651b04cc/1491585713692-WRGBZURYC3LFJKD7S527/image-asset.png</image:loc>
      <image:title>WRITING - Review: Michaela Pilar Brown’s "Things Get Lost" at Honfleur Gallery</image:title>
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    <loc>https://www.dirtdmv.com/writing/2017/4/7/why-there-is-no-time-for-forgotten-history</loc>
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    <lastmod>2021-10-06</lastmod>
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    <lastmod>2019-06-25</lastmod>
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    <lastmod>2022-01-28</lastmod>
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    <lastmod>2021-10-10</lastmod>
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    <lastmod>2021-10-07</lastmod>
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      <image:title>PROJECTS - White Fragility Mixtape - Make it stand out</image:title>
      <image:caption>Access to these readings linked here: https://drive.google.com/drive/folders/1BfWji5PjmjeIPBbVem1PZDpVS4ubE6To?usp=sharing</image:caption>
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      <image:title>PROJECTS - Dirt Featured in Women Artists, Issue 5</image:title>
      <image:caption>The image above is the centerfold of the issue, designed by our editors with support by Joseph Orzal of NoMüNoMü.</image:caption>
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    <image:image>
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      <image:title>PROJECTS - LIVE ARCHIVE with BGMB x DCPL</image:title>
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